Saturday, October 26, 2019

Brian Beatty On Robert Lowell


Borrowed Trouble: Micro Tribute to Robert Lowell (1917-1977)

I wouldn’t write at all if it weren’t for myriad writers before me whose works showed me what was possible. The poems of this series are small offerings of respect, of thanks, to those muses. – Brian Beatty

Robert Lowell

The painter at the sea’s 
edge arranged an easel 

to prop up a mirror
the size of the horizon.

– Brian Beatty


Learn more. . .



Learn more about Robert Lowell:







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click here for more on this book
click for more on this book
NEW! Read the entire series of Borrowed Trouble by Brian Beatty anywhere you go by buying the collection of all sixty poems today! You've enjoyed these poetic tributes on-line, now enjoy them everywhere!


Brian's recent collections of poetry are Dust and Stars: Miniatures and Brazil, Indiana


Don't miss Brian's columns on great poets: insert your email address in the "Follow By Email" box to the right of this article and you'll be notified every time a new article appears.

Friday, October 25, 2019

Tobi Alfier - Hmmmm…..


Do you ever have one of those days or weeks when every time you think of one thing to do, you think of thousands more? Like planning out the Art Walk with the open mic’s and different moderators; trying to figure out where to go first and what to do next? Welcome to my week. Some of the things I thought about…

  1. On October 20th, you all had the privilege of hearing John Brantingham feature at Space Cowboy Books. John and his wife Ann are the nicest people—I bet you loved them. Ann is an amazing artist, drawing correctly proportioned and beautiful leaves and plants they come across in their workshops and hikes in the high sierras, and elsewhere.

As I’m sure some of you know, John’s brand new book is “finding mr pembrooke”. He also has a book from last March entitled “Crossing the High Sierra”. Ann just did the cover art and some interior art for “Redshift 3” from Arroyo Seco Press, an anthology of tanka and haiku. She’s also working on projects she only hints about on Facebook. 

Which reminds me of the first line of this blog. One of the many things that you want to keep your eyes open for soon is the podcast of John's reading, to be posted here as soon as humanly possible. Also, we need to bug John to update his Amazon Author's page to include new books! Always something to do! 
                  
Whatever Ann & John brought with them for Space Cowboy Books, you may wish to consider buying (then please do a review on Amazon). Note: if you’ve ever bought anything on Amazon, you are an Amazon customer. So you can buy something at Space Cowboy Books and still put a review on Amazon.

  1. You may remember that I promised Susan Tepper I’d do an Amazon review of “What Drives Men”. Well I finished the book, and after thinking about it for a few days, I wrote the review. It was only 95 words, but it said everything I wanted it to say. Two things about this:
Susan is an excellent, not aggressive, marketer—mine was the twenty-sixth review of this book, but I never felt pushed to do it. It’s something we should all think of doing—asking readers of our books to put reviews on Amazon. It can be done in a very kind way and you don’t need to feel weird about it (on that note, if anyone has read Slices of Alice & Other Character Studies, or Sanity Among the Wildflowers, both published by Cholla Needles, I would truly appreciate it if you’d post a review on Amazon), and it’s not hard to do. Click on the reviews, then click on “add a new review”. It takes just a couple minutes. I wrote what I wanted to say separately, then copied and pasted it into the review box. Amazon will send you an email so you can edit it, and after they review it, it’s posted. It’s a nice thing to do, plus it will help you develop reviewing skills that may be new.

  1. Let’s talk about titles. – You may know that I moderate a LinkedIn group—Poetry Editors and Poets. You’re all welcome to join. It’s a Q&A and discussion group. A few times a year we have a “post your poem” day, but it’s not a workshopping group.
A woman asked if there was any reason to put titles on poems when submitting to journals. With the exception of Simon Perchik, who has earned the right to do what he wants, yes, you should.

There has been a lot of discussion on this. The funniest post was from a gentleman who suggested that she write haiku, and in his example, it had a title, and it had four lines. I don’t know very much about Asian forms of poetry, but I’m pretty sure that haiku is not titled, and even though it doesn’t have to be 5-7-5 the way we used to think, it’s never four lines, unless one gets technically involved in life's unknown truths. Normally I would have deleted his comment, but I left it because of the way he used it—as an example, and then gave it to her. I’m pretty sure it’s incorrect but I don’t know. If someone else mentions it, I’ll learn too.

On the workshop front regarding titles, I have only had one workshop leader in nine years at Tin House who was not a great match with me. My fault. Tin House always publishes the faculty, and you can select who you want. It’s the only leader I’ve ever had where work produced was never accepted for publication. Also my fault. It wasn’t a good poem:


Bikes lay flat on lawns, wheels spinning
like sideways Ferris wheels reflected in a fun-house mirror.

His diamond is 24, a jewel of a wife, her specialty
the air around our planets.

Who knew the colors of Saturn’s rings came from
the smokes exhaled from our very own Earth –

from a pin-hole at the top
like egg white sucked through a shell at Easter.

Before our eyes could be imagined the widest range of
slippery blue, the planet pulsing down below,
lights of traffic encircling like the armor of a goddess.

Mercury is in retrograde, we must be cautious.

His wife, her other specialty the sweet smile of the Southern Belle,
dreams each night in clean white down.  She rides the waves,
she surfs the heavens, she tends her garden on Pluto.

The slate gray of infinity pierced by the earrings and tattoos
of tiny stars.

Far, far below, her hand held up to shield her view,
she sees The Great Wall of China in assertive splendor.

Titles were hugely important to this workshop leader. For this poem we were given the option of “From Earth to Pluto” or “From Pluto to Earth”. We wrote the poems based on a series of questions we had to answer and then write. And though this poem was never accepted, and though we did not click, I learned a lot about titles—consider them to be like license plates. Each car has a plate that no other car has. It’s your job to make sure that’s how you think about your titles (several years ago this leader received a $100,000 Genius Grant and I didn’t, so who am I to blame anyone but myself for not maximizing my week!).

4.      Time to look through the woodpile and submissions. How are you all doing? 

   
A ton of windows opened October 1st.  This month I’ve only written three poems and I’ve only done three submissions. That is so not like me. Maybe it was all the doctors, etc. We’ve talked about that before, about when life gets in the way of our writing, dang it.



In the words of Insurance Executive Wallace Stevens, when other things are in the way:

    I certainly do not exist from nine to six, when I am at the office.
Wallace Stevens

 Damn straight!! Let’s have a great week everyone. I’m taking care of the dentist and physical therapy for you, that’s three extra hours you’re “not in the office”. Observe well. Write well. Title your writings so they’re memorable. I’ll just sit here with the nitrous oxide on and envy you all!!



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Tobi Alfier's most recent collection of poetry is Slices Of Alice. She is also co-editor with Jeff Alfier of the San Pedro River Review. Don't miss Tobi's columns on the craft of poetry: insert your email address in the "Follow By Email" box to the right of this article and you'll be notified every time a new article appears.


Friday, October 18, 2019

Brian Beatty On Besmilr Brigham

Borrowed Trouble: Micro Tribute to Besmilr Brigham (1913-2000)

I wouldn’t write at all if it weren’t for myriad writers before me whose works showed me what was possible. The poems of this series are small offerings of respect, of thanks, to those muses. – Brian Beatty

Besmilr Brigham

I don’t recognize 
the leather-gloved hands 

lifting the ax any more 
than I know by name

the yellow fireflies blinking 
at the door.

– Brian Beatty


Click to see more


Learn more about Besmilr Brigham:








- - - -


click here for more on this book
click for more on this book
NEW! Read the entire series of Borrowed Trouble by Brian Beatty anywhere you go by buying the collection of all sixty poems today! You've enjoyed these poetic tributes on-line, now enjoy them everywhere!


Brian's recent collections of poetry are Dust and Stars: Miniatures and Brazil, Indiana


Don't miss Brian's columns on great poets: insert your email address in the "Follow By Email" box to the right of this article and you'll be notified every time a new article appears.

Tobi Alfier - The Return of the Rhinoceros

Apparently, when I fell on my face a few weeks back, I was so worried about my nose that I didn’t notice my front tooth—which has now chipped, making me look like a “slag” in the British crime dramas we love to watch.  Not poetic, trust me. I just tried to work on a poem and it wasn’t even worth saving in the woodpile. How are you?

Let’s talk about friends and family who aren’t on social media. You can tell who they are because they’ve probably told you, and when you look at their pages, if they even have them, the last posts were birthday wishes from last year. How do you let them know when you have writing, and other news to tell them?

For the record, I DO know there is more to life than writing. There are vacations, surgeries, October 15th was a huge day in the financial world, this month’s Bon Appetit has a gorgeous picture of an apple and pear galette, births, deaths, pets, etc. Some of this can be shared by phone, but if you have twenty people to tell something to, do you want to make twenty phone calls? Do you want to meet for twenty cups of coffee? There is nothing wrong with it if you do.

But, if you’d hope people will write it down, look it up, etc. that means they need a calendar and a pencil. Not everyone has a photographic memory.

Quick note: when I say “social media”, I mean Facebook. I don’t understand Twitter or Instagram, and even though I moderate a LinkedIn group with 33,000+ participants, LinkedIn has made so many changes, it’s not a good networking platform for non-business groups anymore.

So if I want to tell people my new blog post is up on the Cholla Needles website, and I want to include a link to that website, I use email. If I know someone is very particular about their privacy, I’ll send them a separate email. Otherwise I’ll send a “friends and family” message and tell everyone at once.

Am I going to tell everyone that today I look like I did when I was little, and I was bouncing on the steering wheel of my parent’s car and chipped a tooth? Yeah no. I don’t always do a separate email. For example, this is my Facebook post from the other day that I did not share on email because it was just a post:

A couple years ago, Jeff and I were privileged to workshop with Joseph Millar at Catamaran. We were double privileged to hear Joe and Dorianne Laux read. I started this poem in our workshop. I hope you like it. 

Guardian
          After Rolf Jacobsen

I am the knot
that keeps the sail full and strong.
The compass guiding safe passage
as you turn toward home.

The hand of the angel you turn to,
who reads the braille of your face,
holds you with grace and mercy.

I am the leaves of the trees in winter,
that float in the cool evening breeze.
I kiss your hair, shelter your shoulders
as you walk gently in the shadows.

I am a fleeting image, always fond,
ever near. The way you loved your children
the moment they were born, smooth stones,
or the color blue.

---

click to see more
Don’t forget about your friends who aren’t on social media. Susan Abbott is on a wicked road trip right now. She’s been filling up her notebooks with gorgeous pictures and posting them. I know when she gets back you’ll be able to see them in person, but I hope her non-Facebook friends have been able to see them en route. I can’t draw a rock. Susan’s drawings are beautiful.

Susan also did the illustrations for Cynthia Anderson’s book Now Voyager. Everyone should know Cynthia has a book, it is illustrated, and it was reviewed by Laura Berry. I know there are other ways for people to know about this besides Facebook, and I’m glad. It would be a shame if it were missed because of social media.

You are a hugely talented group of publishers, writers, artists, photographers and so on. You do a lot of appearances, readings, art shows, juried events, book reviews, and good works. Everyone should know about these. And while you're  thinking about it, click here to visit Poets & Writers, and look down the page under all the pretty people for a link that says "apply to be listed". This listing helps editors and agents know you are serious about being a writer. 

Feel free to use the comments section below, even if it’s just to post a link to your own web page. This blog is yours too. But please, don’t rely on me to know everything that’s going on. As I mentioned last week, I don’t live near you.

Think about whether or not you need a web page. If you do, look around and find the ones that touch you, then ask those people who designed them. Ours is www.bluehorsepress.com. I don’t have one just for myself, I don’t need one.

Have the very best week. Write well. Design well. Communicate well. Don’t forget that some people are completely done with their holiday shopping by Thanksgiving. If you have any ideas for your friends—a book you loved, a book you wrote, a special deal on custom calendars for your photographer friends, an upcoming craft fair—don’t forget your friends who aren’t on social media. 

And finally:

Lucky accidents seldom happen to writers who don't work. You will find that you may rewrite and rewrite a poem and it never seems quite right. Then a much better poem may come rather fast and you wonder why you bothered with all that work on the earlier poem. Actually, the hard work you do on one poem is put in on all poems. The hard work on the first poem is responsible for the sudden ease of the second. If you just sit around waiting for the easy ones, nothing will come. Get to work.


I’m off to call the dentist. Bye.

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Tobi Alfier's most recent collection of poetry is Slices Of Alice. She is also co-editor with Jeff Alfier of the San Pedro River Review. Don't miss Tobi's columns on the craft of poetry: insert your email address in the "Follow By Email" box to the right of this article and you'll be notified every time a new article appears.


Thursday, October 17, 2019

Open Reading: October 20, 3-5 at Space Cowboy in Joshua Tree!


The open reading will be held on the stage behind the store. Bring something of your own to read or a passage that inspires you. Prose is limited to two minutes. You're also welcome to simply come and listen to your neighbors. We invite the entire community to come in, share, and simply have a good time! All ages invited, and every event is free! See you there =:-) 

John Brantingham's work has appeared in hundreds of magazines in the United States and England, and his poetry has been featured on Garrison Keillor's Writer's Almanac. His other books include "Mann of War" and "East of Los Angeles." He teaches at Mt. San Antonio College in Walnut, California where he lives with his wife, Ann. He is currently the poet laureate of Sequoia and Kings Canyon National Park. Come and be inspired! 


John Brantingham