Saturday, September 28, 2019

Tobi Alfier - Poetic Invitations

An Invitation isn’t Necessarily an Acceptance, Plus More

This past week a few of my friends received invitations from Editors to send work to their journals. I hope some of you did too. That is totally cool, and you should feel very proud that out of the zillions of writers, an Editor remembered you.

I am normally a “glass half full” person, and I don’t want to burst any bubbles. Definitely consider this as an “invitation to submit your work”, but don’t assume that it will automatically be accepted (although it probably will). Send your best work, just like you would for any other submission.


Why would an Editor invite you to submit?

Wallace Stevens
They like your work and they can rely on you. They know you’re not going to take this opportunity to submit some experimental thing you’ve been working on. They know if your poems are usually a page or less long, you’re not going to submit a 12-page Ode to Earl Grey Tea. Keep what you send consistent with what they’ve seen and you have a great chance.

They may ask because they know you can write something for them with no notice. I once had an Editor tell me they had room for a short poem with a particular theme and could I send it right away. I was happy to rise to the challenge and fill that empty spot in their journal. The Editor neglected to put my name on the back cover or put me in the Table of Contents or bios, but they went to press without a hole on one page and I was thankful I was able to help. Then I edited the heck out of the poem and “really” submitted it, since it had not been credited before.

Carolyn, the Apple of Avenue F

A childhood so consumed with painful shyness
she told everyone to call her Nancy.  Even on vacation
her parents called her that, glancing sideways at each other,
shrugging their shoulders.  Now blossomed and respected
as the one who gets things done she is reborn. 

Her lover, skilled at making her know beauty and fixing
plumbing, has endeared her to her tenants.  She puts on soup,
he fixes the sink in 2B, they make love and feast
like peasants.  Innocent flirting has the gardener
water the walks and plant flowers for all seasons

out of gratitude for her sweetness and his visibility
to someone besides his children.  She welcomes
the “hello’s”,  loves chatting with the mailman
and baking cakes for birthdays and celebrations.
She speaks gently to the little girl in 4C, petrified

and chubby, forced into pink tights, black leotard
and ballet by a mother who cannot accept her baby
as anything but perfect.  Graceful and grown, she tells
the girl when the time is right to be seen it will happen.
Don’t bake the sweets until you’re ready to be thanked.

(previously published, after major editing, in Cholla Needles)  


There may be a theme that an Editor knows will be perfect for you. James E. Lewis is a poet friend of mine who goes kayaking almost every day up in the Bay Area. He takes gorgeous photos that he posts on Facebook. If I had a theme of water, birds, sunsets, sound, etc. I would send James an invitation for sure.

Stepping away from invitations to submit for a moment…

If I saw another journal with those themes I would let James know. And then I’d bug him like crazy until he submitted—because I like to bug him (I’m so sorry, James). We sometimes have different relationships with calendars, and sometimes I keep better track of submission windows. So it’s like NASA. I count down the time he has left until he submits to finally shut me up.

Shelly Blankman loves giraffes. She’s also an excellent ekphrastic poet. I see her name all over the place in ekphrastic journals. If I see something that’s right up her alley, I’ll let her know. I personally am not a good ekphrastic poet but that doesn’t mean I don’t want the best for my friend.

Do I know every writer in the world, their strengths and passions? Heck no! But think about it. Whether you’re an Editor or not, you go to readings, you have poet friends. Presumably you talk to each other, or email when you have insomnia and nothing to write. TELL YOUR FRIENDS if you see something that may interest them. Hopefully they’ll do the same for you.

It is so fun to be in journals with friends. Second to that is seeing someone doing the happy dance because of an acceptance that was perfect for them. THAT is knowing the aesthetics of different journals like we talked about last week. THAT is being a good literary citizen!!

And FINALLY, as I ALWAYS say, if you choose not to be a submitting writer, you are STILL a writer!

Finally finally, to quote Denis Johnson, who passed away in 2017 and who knew every single Bob Dylan song by heart:

            Write naked. That means to write what you would never say.
Write in blood. As if ink is so precious you can't waste it.
Write in exile, as if you are never going to get home again, and you have to call back every detail.
— Denis Johnson

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Tobi Alfier's most recent collection of poetry is Slices Of Alice. She is also co-editor with Jeff Alfier of the San Pedro River Review. Don't miss Tobi's columns on the craft of poetry: insert your email address in the "Follow By Email" box to the right of this article and you'll be notified every time a new article appears.


Friday, September 27, 2019

Fourth Podcast - September 26, 2019 at Lander's Brew




John Sierpinski (Host) - Two Poems
Patty - excerpt from Tagore
Stephanie Ballard - excerpt from Station Eleven
Susan Rukeyser - Desert Mother Home
Patty - Loose Gravel
Brinell Hornsby - High Lofty Tree
Caryn Davidson - Red Hat
Amanda McGlothin - The End (portion)
Dawn Davis - Books and Music
Tania Hammidi - Family
Joshua Kjerstad - Song

Wednesday, September 25, 2019

Review - Two new books by Miriam Sagan


Luminosity (Duck Lake Books, 2019) and Bluebeard’s Castle (Red Mountain Press, 2019) by Miriam Sagan

With two new books out this year, Miriam Sagan now has 30 books to her credit in a variety of genres—from poetry to novel to memoir. Her long tenure in the writing world includes founding and heading the creative writing program at Santa Fe Community College and being a writer in residence at numerous locations.

The poems in Luminosity evoke a variety of locales, from Iceland to Wyoming to Oklahoma to Arizona to her home ground of New Mexico. Miriam’s short, spare lines and direct diction move between the natural world and the dream world, with images that span both:

     you are driving
     all night
     but have not yet
     arrived
     in Oklahoma.
     In every body of water
     anywhere in the world
     the moon
     reflects back to us
     the loneliness
     of beauty.
     (from “A Funeral in Pawnee”)

The book opens with several poems from her time in Iceland, where “we stayed up so late talking about the past/it was like an extra dawn breaking.” She finds connection wherever she goes:

     a stone in the desert
     marks the presence of god

     or where a ladder
     teetered

     into the night sky
     under the sign of Pisces

     with angels
     going both up and down

     like dark carp
     in the current
     (from “lifting a stone”)

In Bluebeard’s Castle, Miriam intersperses short prose pieces and poems to tell the story of her relationship with her father, giving us the man in all his perplexing complexity. A true New Yorker, a kingpin of the garment industry whose favorite movie was The Godfather, he retired at age 40 and became a freelance academic. She writes, “When my father was dying, I made two lists—one of things I liked about him, one of things I didn’t like. The lists were about the same length…You see my problem.”

photo by j perez
On the one hand, he saved her life once. On the other hand, he made some aspects of her life a living hell. In the poem “West of the Moon,” she writes, “I’m waiting/ for my childhood/ to run off/ on its bare/ skinny legs/ and grass-stained knees.” Aloof and inaccessible, her father spent much of his time being “incognito,” which she thought was an actual place—“in Cognito.” It was only after his death that she began to open “the frightening locked doors of my story.”

That journey takes us up to and through her near-death experience, and beyond. Forever accused by her father of being a reckless person (for less than convincing reasons), she takes that bull by the horns in her poem, “When I Was Young, I Put Myself in Harm’s Way”:

     hoping to get hurt
     or at least
     fall off the back of a motorcycle
     and break my heart

     how, now past sixty, I’ll still
     go out of my way
     and travel some cardinal direction or other
     saying, I just want to see
     (volcano, glacier, Miami Beach)

     before it is too late
     for me, or it,
     and put myself in the way of beauty
     and let her have her way with me.
           
For anyone who appreciates the power of memoir, Bluebeard’s Castle will be a satisfying read—and an apt pairing with the poems of light and shadow found in Luminosity.

photo of Miriam from youtube.com
Miriam Sagan is a prolific author who has won many awards, including the Santa Fe Mayor’s Award for Excellence in the Arts, the Poetry Gratitude Award from New Mexico Literary Arts, and a Lannan Foundation residency in Marfa. Her blog Miriam’s Well has 1,500 daily readers. Her book Geographic: A Memoir of Time and Space (Casa de Snapdragon) won the 2015 Arizona/New Mexico Book Award in Poetry.


About the Reviewer:

Monday, September 23, 2019

Third Podcast - Recorded Live September 20, 2019

If listening to the wind, sun & traffic was difficult for you on last week's show, wait till you get a hold of the kitchen, the espresso machine, the customers, and the laughing kids during this show! It's a great time - relax and listen to a half-hour from the Coyote Moon Café in Twenty Nine Palms =:-)




Douglas Tibbets - - A Love Prayer & First Glance
Mike Vail - The Salvation of San Juan Cajon
George Howell - The Firebug and the Stolen Water & Trazodone
Ellen Baird - Oceano & Letter From The Editor
Chantelle reads Memories by Bonnie Brady
Bernal Hornsby - Essential
Marie Bobin reads from Station Eleven
Friend of Douglas Tibbits reads Charlie Chaplin
Greg Tibbits - Unseen Legislators
Douglas Tibbits - Thinking of You
Greg Tibbits - Politics
Soos reads As the world reaches by Bukowski
Mike Vail - The Raven
George Howell - The Wedding Ring and the Glovebox
Greg Tibbits reads Trump by Turq Teischa
Friend of Douglas Tibbits - Voices Echo  
That's It!

Good times!

Sunday, September 22, 2019

a BIG READ Week to Participate In AND Remember!!

THURSDAY - SATURDAY - AND SUNDAY!!!




Tobi Alfier - Aesthetics

Aesthetics: a particular individual’s set of ideas about style and taste, along with its expression

Every journal that we read, love, submit to today, whether it’s online or print, has an Editor in charge. In addition to many other responsibilities, Editors are responsible for maintaining the aesthetics of their journal. Their name is on it. If they have staff, everyone needs to be on-board so issue after issue has a semblance of consistency.

That consistency is something you can rely on as a submitting writer. Nobody’s going to play “bait and switch” with that aesthetic. You need to know what it is before you start submitting, or you’re going to be very disappointed by rejections. You’re also going to irritate a lot of Editors who don’t have time to be irritated.

If you ask the journal marketing magicians, they’ll say the best way to learn about a journal is to buy a copy of it, I don’t always agree. Some journals are $20 and there’s a lot you can learn from the websites that will give you great ideas about whether you might be a fit, and what you should submit.

Examples:

THAT Literary Review is affiliated with the Department of English and Philosophy and the College of Arts and Sciences at Auburn University at Montgomery. It is published annually.
They say “The poetry that we prefer is alive and idiosyncratic and that opens new vistas to the reader. We stay away from rhyming poetry, conventional forms, and love poetry unless brilliantly revisited. Three poems may be submitted (as a single document) at a time, with a total maximum of twenty pages.”
Okay, so they love to read wacky poems, don’t much love rhyming or forms, and by saying they accept three poems with a maximum of twenty pages, they’re saying they’ll read long poems. I don’t write long poems myself, but I know that people who do have a hard time finding places to submit.
Read the rest of the submission guidelines too. Always. DON’T SEND THEM HAIKU! Don’t send them love poems that sound like a cross between your 16-year-old diary and a Hallmark Card. They don’t give you a LOT of information, but they give you some. Use it!!! I submitted accordingly and I have been grateful to have been accepted.

Cholla Needles “publishes a monthly literary magazine and books by local and visiting writers who love the desert.”
“We suggest reading a sample issue to help yourself become familiar with our format. Each issue consists of ten chapbooks within two covers. Each month readers receive these 10 chapbooks by current writers for $5.”
That’s pretty cool. If you get accepted, you get a chapbook. It would be worth $5 to see what it’s all about. How many journals publish more than one or two pieces of your work? If that’s still too pricey, “See you at the monthly magazine release party and reading!!!” Clearly if you live far away, you can’t go, but this is a journal doing everything they can to connect with people. I wanted to be part of it! Thankfully I am grateful to have been accepted.

You know that I follow Jeff around. When he was accepted by Hobo Camp Review, I had to find out about it.

Hobo Camp Review is a quiet, tucked-away place where any writer, poet, artist, or storyteller can rest their weary feet and share their story through poetry or prose over a crackling fire. Travelers and transients of all backgrounds and styles are welcomed, but your story doesn't have to be about the road, travel, or hobo life (although we enjoy that from time to time). It can be about anything at all, so long as it has a sense of vagrancy, a little sparkle and a little dust, shadows and angles, a hint of nostalgia, a desire for something more, anything that sounds great by a campfire with a train calling in the distance. Be original. Be honest. Be from anywhere. Be going somewhere. Remember what happens in-between and tell us all about it. “

Oh my goodness, this was so different than anything I’d ever written. I read the guidelines, made a submission, crossed my fingers, and was very thankful that on the freeway on the way to a reading, I was accepted. I’ve actually posted that poem before, but here’s a later poem that was accepted:

Homeless Pete Gets Robbed on Catalina Avenue

It was just a quick cat-nap.
The shady doorway in the alley
behind the stinking hair salon
on Catalina seemed harmless.

He never sleeps longer than 5 or 10,
never at night – bad things happen
with only the giant orange flame
of moon to light a man’s dreams.

They took everything -
his radio, his sneakers,
the jacket found in a dumpster
a year ago when some couple

relocating to even warmer
climates cleaned out
their closets.  Left with only
the gray sweater tied around

a long-sleeved tee, two pairs
of pants worn one over the other
and a pair of sandals, he’s out
asking for a turkey sandwich,

that’s all he wants.  Just
a little something to stop
the gnawing in his stomach.
He’s too empty for grief,
too dignified to smash glass.

(Previously published in Hobo Camp Review)

With a bit of detective work and a little research, you can increase your chances of acceptance. You know that you are good writers. If you are submitting writers, don’t hijack your chances by submitting to journals inappropriate for the work you write. I have a whole list of journals I will never be in. Jeff does too. About every four years I try, just to see if anything’s changed. No.

Lastly, a final note from James H. Duncan, the Editor of Hobo Camp Review. James is a beautiful writer who faces the same submission challenges we do:

See here
“Hi, thanks for your email but read the guidelines before submitting. Read the guidelines before submitting. Read the guidelines before submitting. Read the guidelines before submitting. Read the guidelines before submitting. Read the guidelines before submitting. Read the guidelines before submitting. Read the guidelines before submitting. Read the guidelines before submitting. Read the guidelines before submitting. Read the guidelines before submitting. Read the guidelines before submitting. Read the guidelines before submitting. Read the guidelines before submitting. Read the guidelines before submitting.
Thank you,
Every Editor Ever”

Have a great week. Stay cool. Be safe. Write well!!!

- - - -


Tobi Alfier's most recent collection of poetry is Slices Of Alice. She is also co-editor with Jeff Alfier of the San Pedro River Review. Don't miss Tobi's columns on the craft of poetry: insert your email address in the "Follow By Email" box to the right of this article and you'll be notified every time a new article appears.


Friday, September 20, 2019

Brian Beatty On Samuel Beckett

Borrowed Trouble: Micro Tribute to Samuel Beckett (1906-1989)

I wouldn’t write at all if it weren’t for myriad writers before me whose works showed me what was possible. The poems of this series are small offerings of respect, of thanks, to those muses. – Brian Beatty

Samuel Beckett

Center stage
a lightbulb 
big as a noose
swings in the breeze.

A janitor enters pushing 
a broom a broom a broom.

The audience 
stampedes toward 
the theater’s French door exits 
out into a darker dark.

– Brian Beatty

click for more info. . .


Learn more about Samuel Beckett:








- - - -


click here for more on this book
click for more on this book
NEW! Read the entire series of Borrowed Trouble by Brian Beatty anywhere you go by buying the collection of all sixty poems today! You've enjoyed these poetic tributes on-line, now enjoy them everywhere!


Brian's recent collections of poetry are Dust and Stars: Miniatures and Brazil, Indiana


Don't miss Brian's columns on great poets: insert your email address in the "Follow By Email" box to the right of this article and you'll be notified every time a new article appears.

Tuesday, September 17, 2019

Survival Podcast - Recorded Live September 15, 2019



15 Local Writers in 30 Minutes! Enjoy =:-)

Susan Rukeyser, moderator
Rich Soos - poem of thanks
Mike Stillman - segment deleted
Dave Maresh - Fixer Upper
Ernest Alois - Personal Survival
Bonnie Brady - Swimming Upstream
Cynthia Anderson - Big Bobcat Eating
Rose Baldwin - After (by Stephen Dunn) 
Peter Jastermsky - Two Cherita
Laura Berry - Unexpected
Greg Gilbert - Behind The Dimly Lit Kitchen
John Brantingham - Agenda
Teddy Quinn - Border Kindness
Marie Bobbi - selection from Station Eleven
Jean-Paul L. Garnier -  Water
George Howell - The Wedding Ring In The Glovebox
Susan Rukeyser - Listen To What I Don’t Say

Click here to listen later and/or send a voice message!

Saturday, September 14, 2019

Open Reading: September 15, 5-7 at Space Cowboy in Joshua Tree


Your host for this open reading is Susan Rukeyser. Come early and check out the bookstore. Space Cowboy Books specializes in Science Fiction and Westerns, and does not neglect literature, philosophy, science, and whatever else people find to put in books. Your friendly book guide, Jean-Paul,  also stocks a great selection of classic poetry, along with a full section of books by local authors. He is also a publisher of local science fiction, and an author. 

The open reading will be held on the stage behind the store. Bring something of your own to read, or a passage that inspires you, or wax eloquent on your personal view of survival. You're also welcome to simply come and listen to your neighbors. The "plan" is for the entire community to come in, share, and simply have a good time! All ages invited, and every event is free! See you there =:-)



Brian Beatty On Richard Hugo

Borrowed Trouble: Micro Tribute to Richard Hugo (1923-1982)

I wouldn’t write at all if it weren’t for myriad writers before me whose works showed me what was possible. The poems of this series are small offerings of respect, of thanks, to those muses. – Brian Beatty

Richard Hugo

Bozeman, Montana’s
Country Bookshelf sells
crumbling yellow maps
of nearby ghost towns 
I’ve visited more than 
once reading your poems.

– Brian Beatty


Check it out!



Learn more about Richard Hugo:







- - - -


click here for more on this book
click for more on this book
NEW! Read the entire series of Borrowed Trouble by Brian Beatty anywhere you go by buying the collection of all sixty poems today! You've enjoyed these poetic tributes on-line, now enjoy them everywhere!


Brian's recent collections of poetry are Dust and Stars: Miniatures and Brazil, Indiana


Don't miss Brian's columns on great poets: insert your email address in the "Follow By Email" box to the right of this article and you'll be notified every time a new article appears.

Tobi Alfier - What a Long Strange Trip It’s Been

I hope the last couple weeks have been better for you than they’ve been for me. I know Rich and Cynthia Anderson have learned how to make a podcast and it’s available on the Cholla Needles website.

I know the majestic Cholla Needles catalog draft is now online for volunteers to proofread.

I know the past few weeks were crazy busy for Rich. Lots of driving - getting posters, etc. to the venues across the basin. Sounds simple, but the basin is 60 miles long and 20 miles wide. All the venues were at the furthest reaches. Except, of course, for Space Cowboy, which is walking distance from his house.

So I didn’t do a blog post last week, and Rich got to meet tons of folks and talk about their support for the “Big Read”.

I fell on my face, felt sorry for myself, and ran out of ideas. I did write four poems, did seven submissions, and got a few acceptances, but that’s a regular week for me. Well, except the acceptances part.
photo by Heinrich van den Berg
My Physical Therapist said I should be kinder to myself. Jeff thinks that’s very sweet of her, but totally understands my frustration, leading to lots of self-criticism, I looked like a rhinoceros with a huge purple nose, AND NONE OF IT WAS POETIC!!!! Heinrich felt it was photogenic, so something good out of everything.

This week was better. I got an email from Jen Landels of Pulp Literature in Canada. To celebrate five years of publishing, they are featuring a different author or artist on every weekday of the year in 2019, I was last Wednesday: 
 http://pulpliterature.com/2019-year-of-authors-sept-9th-sept-13th/

The two pieces they’d published in 2015 were short fiction. I didn’t even KNOW I wrote short fiction in 2015!!! This is one of them:

Sleepwalker

I.

She began sleepwalking in her forties. Once she woke up outside, when the cold on her bare feet seeped up from the bricks and shocked her awake. She rarely went out on the patio. Several times they had gone out there, heads upturned to catch a meteor shower, but the proximity to the beach made the viewing a foggy vision.

 II.

She wasn’t always angry. At first he was a smile in her day. She used to say that if she sneezed in her apartment at the beach, he would call her from his house 20 miles away to say “bless you”. That blessing was short-lived. The price was too steep to pay.

III.

She knew that addicts sometimes traded addictions; she didn’t recognize that at first, she was the addiction. She never thought about how lonely she would feel once the addiction had passed on to other pursuits.

IV.

And so it continued until the baby was born, when she came to realize the bully he was. Even in the early weeks the bullying began. And it continued.

V.

And it continued.

VI.

The sleepwalking increased once he slunk out of the house, cowardly and for good. She woke up one morning with no pants on. She woke up in the hallway of a hotel she was staying at, looked down, prayed there was a key in her hand. She thought “How can this be happening to me?”  She said “Thank you” to the night clerk who let her back in.

VII.

She has been alone for a year and 10 months. She has taken the trash barrels out to the street 97 times. She has changed 7 lightbulbs. His bike is still in her garage. His books are still on the shelves. His empty dresser is in their bedroom.

VIII.

All she wants is someone to push her up against a wall and kiss her. And ask her how her day was. And light the barbecue. If someone held her close it would be redemption. And she would sleep.

(previously published in Pulp Literature)

My bio back then made me realize that the standard 50-word bio required today doesn’t give you much room to write anything interesting. And my picture…I used to look so much nicer. All I can say now is at least my nose isn’t purple anymore.

So…I can tell you all you need to know about getting a copy of your birth certificate, how pretty bruises are, even as they change colors like the northern lights, and what a nice article Benjamin Percy wrote in the new Poets & Writers Magazine.

I can tell you about the Korean Mother’s Day card my son sent me in tenth grade and that he no longer remembers Korean. I can let you know that Haagen Dazs has a flavor entitled Bourbon Vanilla Bean Truffle and it’s really good.

I can tell you that the ninth would have been my 28-year anniversary where I worked, if I had not gone out on disability, and of course the eleventh makes everything that happened to me as small as the baby ants hanging around on my desk.

But there is goodness in this world, and lots to write about. Bless you all, try not to sleepwalk, and let’s have a great week!!!


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Tobi Alfier's most recent collection of poetry is Slices Of Alice. She is also co-editor with Jeff Alfier of the San Pedro River Review. Don't miss Tobi's columns on the craft of poetry: insert your email address in the "Follow By Email" box to the right of this article and you'll be notified every time a new article appears.