You’ve heard me say a million times that I write because I
can’t not. And maybe you’ve heard the story I’ll tell in a second. But I also
write, not to be clever, not to be funny (I’m not funny), not to be political,
and not to make a living selling books. I write because if I can touch just one
person, and make them feel not alone, forty years of writing poetry will be
worth it. Why do you write? Have you ever thought about it?
I do believe that writers have an ability to articulate
things in ways that non-writers sometimes can’t. That doesn’t make us special.
That makes us lucky. One night at a Writer’s Conference I said something about
the moon. My fiction writer friend said “only a poet would say that”. Fourteen-ish years ago, I spoke at a memorial.
I was told “you spoke like a poet”. I think
that was good, despite the circumstances.
All kinds of
writers do this, not just poets. Every day my poetry AND fiction-loving husband reads me lines of fiction that are
breathtaking. When I used to feature, I often started with a few paragraphs
from “Another Bullshit Night in Suck City” by Nick Flynn. It’s a memoir but
some of the prose were gorgeous. I was proud to read from it to start off my
features.
Okay, the story: Years
ago (everything was years ago, I’m a damned dinosaur, I swear) I took a class
at LMU from Brendan Constantine. To me, Brendan is like a rock star of poetry,
but much kinder and more generous than how rock stars are usually portrayed. For
one of our assignments, he handed every single person in the class a wrapped
box, and told us to write about mystery. He said after the first page we could
unwrap the box and write page two. I never unwrapped it. I read my poem one
night at a feature that Brendan attended, then I handed it in. Thankfully it was an extension class so it
wasn’t graded.
Life’s Mysteries
Monday:
You can sing, and you do, but you
can’t raise your arms.
Tuesday:
You can raise your arms
tall, glorious stretches,
but you can’t sing.
Wednesday:
You have no balance.
Thursday:
You wear heels all day and put on
taller heels that night,
remember what it was like
to punch holes with your stilletos
in the roof
of Jimmy’s car after the dance,
after a little sloe gin,
before your curfew.
Friday:
You can’t swallow.
Saturday:
You can’t taste
but you can swallow.
Sunday:
Words fly away.
You know they’ll come back,
you just have to be patient.
Monday:
Did someone sit on your glasses?
Did someone turn up the sun?
Tuesday:
If you close your eyes at the red
light,
you’ll fall asleep. But you have to pee.
You know where every ladies room
is in the two miles between work
and home
in case you can’t make it.
Wednesday:
“9’s don’t want to type.
You write poems with strange extra spaces,
You leave the spaces i n.
Thursday:
You can feel your fingertips
so you change your earrings.
The backs on the moonstones
are too awkward but the diamonds
go on nicely.
Friday:
You can still feel your fingertips
so you change your necklace.
Saturday:
And on,
Sunday:
and on and on…
After the reading was over, a young woman came up to me with
a couple of her friends. She said “I’m sick”. I said “I am too”. She said “I
never talk about it”. I said “I don’t either”.
Did they buy my books? I have no idea. Did I give them some
books? I don’t know. But I will never forget that humbling, heart-full
experience. Never.
I still write the way I write, edit like hell, submit to
every journal in the world, make books, try and sell books, ask people to put
reviews on Amazon, then do it all over again. Just like you.
I could say I
write because my mom hand-beaded my Barbie wedding dresses and I could NOT sew.
The one “dress” I made in Home Ec had the armholes sewn directly over the boobs
(the following semester I was the first girl allowed to take drafting).
I could say I
write because my mom used to pick me up from junior high on her motorcycle, and
the only time I rode a dirt bike I got stuck in hot asphalt in the middle of
nowhere.
But that’s just because my mom is a wonder-woman and I was a
typical nerdy insecure girl.
I write because I have to, and because of that one quiet young
woman at a reading years ago, who resonated with a poem I wrote, that gave her
a voice and made her feel she was not alone. I know I already said that, but for
that I am so thankful.
- - - -
Tobi Alfier's most recent collection of poetry is Slices Of Alice. She is also co-editor with Jeff Alfier of the San Pedro River Review. Don't miss Tobi's columns on the craft of poetry: insert your email address in the "Follow By Email" box to the right of this article and you'll be notified every time a new article appears.
Thank you, my darling daughter. Love you back.
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